under construction.. SatireSunday.com


Who thinks this stuff up???

Welcome to a REAL American holiday - with tradition and meaning.
Honoring the satirists who have kept us informed and sane for 4,000+ years!

Yes, it's the first Sunday of November,
SATIRE SUNDAY !


Honor your favorite satirist by buying his or her wares,
as a valuable, treasured gift. We wanted to feature, for starters,
satirists native to the land that lends itself so well to satire,
NEW MEXICO, but after diligent research
could find only three for now:



STEVE TERRELL
Steve is a respected political reporter, as well as an incredibly knowedgeable
radio host and music blogger, but perhaps less well known locally for his fabulous satire.
Check out his classic "Pandemonium Jukebox" CD:


(click here or on image, to go to page)


 

JONATHAN RICHARDS
Jon Richards is an author, journalist, actor, and cartoonist. His latest, Nick & Jake (written with
brother Tad Richards), is a satirical novel set in 1953 that mixes characters from fiction and
history. It is available on the internet through the website as an episodic audio book starring Alan Arkin as Jake
Barnes (of The Sun Also Rises) Tom Conti as Nick Carraway (of The Great Gatsby),
and Ali MacGraw as Christine Jorgenesen, the transsexual pioneer
.
Here's Jonathan's first December 2011 cartoon on HUFFINGTON POST:

(click here or on image, to go to Jonathan's site)
(He must have SOMETHING for sale).


 

JIM TERR
New Mexico's nationally broadcast satirist, with over 700,000 views of
his YouTube videos, many of them political and other satires,
has released his first CD of strictly satire material:


(click here or on image, to go to page)


Contact
regarding this page, or to be listed on this page

SOME INTERESTING THOUGHTS ON SATIRE

BEN FRANKLIN...

He was a funny writer, with a . . . taste for pseudonymous pranks; he hid his most ascerbic opinions behind the masks of made-up characters. But he had world-class ambitions, and he understood that these ambitions were probably best served by achievement . . .

...he understood that he would inevitably be viewed as a provincial, and that it paid to play the clown a little . . .The metropolis, while it mistrusts an upstart, forgives a lovable provincial eccentric.

Franklin liked to write letters claiming to be from other people . . . in order to dramatize some political point through obvious overload. The last thing he wrote was a letter purportedly from a Muslim slaver . . . whose lust for slavery was intended to hold a mirror up to the American slaveholder's own, and shame him.

Franklin was an instinctive ironist . . . it was his natural mode . . . the whole thing depended on being reported with an absolutely straight face. It was not that he did not value honesty . . . He would have been reluctant to say something that he believed to be a lie. But, as a businessman and a writer and a diplomat, he might very well be willing to dramatize, or even overdramatize, something he believed to be essentially the truth.

Franklin's essentially ironic, distancing turn of mind . . . gave him a kind of second sight into the minds of his hosts. There is little sham in French life, but a lot of show, a lot of rhetorical gesturing. Franklin understood this style instantly. He was pretending to be a naif . . ., which the French knew to be faux, and they were pretending to be worldly, which he knew to be an illusion.

But the logic of power depends largely on the perceptions, the feelings, of the people who have it. Franklin understood that, above all, the good opinion of the French mattered. It paid to be liked and admired, and he made sure that he was. He knew that he could not make his country, and its needs, inescapable if he did not make himself, and his cause, irresistable.

-- Adam Gopnik, "American Electric", The New Yorker June 30, 2003

"Irreverence is the champion of liberty, and its only sure defense."  Mark Twain (1835-1910)


 


MORE...

Why should we fear; and what? The laws?
  They all are armed in virtue's cause;
    And aiming at the self-same end,
      Satire is always virtue's friend.
      - Charles Churchill, Ghost (bk. III, l. 943)

Unless a love of virtue light the flame,
  Satire is, more than those he brands, to blame;
    He hides behind a magisterial air
      He own offences, and strips others' bare.
      - William Cowper, Charity (l. 490)

The artist, like the God of the creation, remains within or behind or beyond or above his handiwork, invisible, refined out of existence, indifferent, paring his fingernails.
      - James Joyce, A Portrait of the Artist as a Young Man

It is difficult not to write satire.
  [Lat., Difficile est satiram non scribere.]
      - Juvenal (Decimus Junius Juvenal), Satires (I, 29)

Satire is what closes Saturday night.
      - George S. Kaufman

Men are more satirical from vanity than from malice.
      - Francois Duc de la Rochefoucauld, Maxims (no. 508)

Satire should, like a polished razor keen,
  Wound with a touch that's scarcely felt or seen.
    Thine is an oyster knife, that hacks and hews;
      The rage but not the talent to abuse.
      - Lady Mary Wortley Montagu,
        To the Imitator of the First Satire of Horace,
        (Pope)

I wear my Pen as others do their Sword.
  To each affronting sot I meet, the word
    Is Satisfaction: straight to thrusts I go,
      And pointed satire runs him through and through.
      - John Oldham, Satire upon a Printer (l. 35)

Damn with faint praise, assent with civil leer,
  And without sneering teach the rest to sneer;
    Willing to wound, and yet afraid to strike,
      Just hint a fault, and hesitate dislike;
        Alike reserv'd to blame, or to commend,
          A tim'rous foe, and a suspicious friend.
      - Alexander Pope, Prologue to Satires (l. 201)

Satire or sense, alas! Can Sporus feel?
  Who breaks a butterfly upon a wheel?
      - Alexander Pope, Prologue to Satires (l. 307),
        (Sporus is Lord John Hervey)

There are, to whom my satire seems too bold;
  Scarce to wise Peter complaisant enough,
    And something said of Chartres much too rough.
      - Alexander Pope, Second Book of Horace
         (satire I, l. 2)

Satire's my weapon, but I'm too discreet
  To run amuck and tilt at all I meet.
      - Alexander Pope, Second Book of Horace
         (satire I, l. 71)

It is a pretty mocking of the life.
      - William Shakespeare, The Life of Timon of Athens
         (Painter at I, i)

It is as hard to satirize well a man of distinguished vices, as to praise well a man of distinguished virtues.
      - Jonathan Swift

Satire is a sort of glass, wherein beholders do generally discover everybody's face but their own.
      - Jonathan Swift, The Battle of the Books

Satire lies about literary men while they live and eulogy lies about them when they die.
  [Fr., La satire ment sur les gens de lettres pendant leur vie, et l'eloge ment apres leur mort.]
      - Voltaire (Francois Marie Arouet Voltaire),
        Lettre a Bordes

Susanna Carlisle: His cartoonist's sensibility followed in the tradition of nineteenth-century French artist, political and social satirist Honore' Daumier. The essence of Daumier's satire was his ability to interpret mental folly in terms of physical absurdity. Both Daumier and Price were known for their radical stance and the freedom with which they used materials.

 

Source: (Boston satirical political art exhibit at Art Institute of Boston)

http://www.tfaoi.com/aa/2aa/2aa323.htm
"Mightier than the Sword, Political Satire, Caricature, and Cartoon on the Presidency, Presidents and Presidential Elections" opens at The Art Institute of Boston at Lesley University, 700 Beacon Street, on Monday, November 13, 2000 and continues through January 21, 2001.
The exhibition highlights the work of artists Edward Sorel of The New Yorker, Jules Feiffer of the Village Voice, Robert Grossman of The Atlantic Monthly, Seymour Chwast of Push Pin Studios in New York City, Jeff Danziger of The Los Angeles Times and Dan Wasserman of The Boston Globe.
"Those engaged in the profession of political satire and cartoon, whatever their own political views, are the prime exemplars of freedom of the press," explains curator Bonnell Robinson. In 1830, the French government fueled a revolution, in part, because they tried to suppress visual satire and caricature. Among those who survived -- to attack again -- was Honoré Daumier. Today, Feiffer, Sorel, Danziger, Chwast, Wasserman, and Grossman are among our finest masters of satire and cartoon to continue this tradition of political commentary - -as they unmask and lampoon the foibles and follies of our politicians."
Jon Swan, author and journalist, in his introduction to the exhibition brochure writes, "While satire is first and foremost a literary form, the impulse to puncture and deflate, to indict and excoriate finds expression in all the arts, particularly the pictorial. Hogarth's "The Rake's Progress," is a memorable example; Daumier's depictions elf predatory lawyers and a generally avaricious bourgeois society have lost neither their relevance nor their bite. While written satire may be gasping its last -- a washed-up shark still snapping its jaws -- the impulse that gave us a rich literature of wrath and righteous indignation lives on in the work of such masterful practitioners as Ronald Searle, David Levine, Edward Sorel and Arnold Roth. It should be noted, however, that, fewer and fewer magazines care to, or dare to, showcase satirical artwork. It might offend!"
Jeff Danziger's motto is "the world is too serious not to laugh at it."

Edward Sorel (born 1929) once said, "I wake up angry and go to sleep angry. Essentially, my cartoons are a kind of therapy to keep myself from going crazy at the insanity and injustice in the world."